Another review, by Steven Leigh Morris in LA Weekly. The full review is here
http://blogs.laweekly.com/stylecouncil/2011/08/stage_raw_sarah_kanes_448_psyc.php (http://blogs.laweekly.com/stylecouncil/2011/08/stage_raw_sarah_kanes_448_psyc.php)
(http://www.iainfisher.com/kane/eng/sarah-kane-4.48-psychosis-22.jpg)
"...A clearly unstable young woman (Cynthia Mance) sits center stage, bracketed by two figures in chairs behind her and another figure, a seemingly severed head in a bird cage -- all of whom mutter abrasive vituperations at the hapless girl. There is also a pair of other performers who portray the doctors attempting to treat her - even though they offer only the coldest comfort to the angst-ridden heroine -- offering utterances like "I know nothing of you, but I like you!" Frederique Michel's harrowing and edgy production, replete with eerie sound effects and dialogue interspersed with characters suddenly lurching into rhythmic spasms and twitching, hauntingly captures the state of mind of someone with tunnelvision perception in which all thoughts, excuses, and opinions inevitably lead to one ultimate act self-negation. Designer Charles Duncombe's sterile hospital room-like set and the eerie, percussive sound effects suggest the heroine's matter-of-fact view of her own madness and feelings of emptiness. The production delivers a disturbing and striking theatrical experience."