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Continuing . . .
Le Repaire du Ver Blanc
(minutes 76 - 90)

Sylvia (Amanda Donohoe)
a. Why did she not see Angus and Mary, when she was called out from Temple House to D'Ampton Manor by the snake charming music? She was not that far away from them, when she left Temple House. Of course, maybe she was so hypnotized by the music, that she could only concentrate on the music, like snakes,  when they are--supposedly--charmed by music.

Mary (Sammi Davis)
a. Touch
Spray
Bite

Here we have an hallucination brought on by being bitten. Unlike Eve's whose hallucinations are brought upon by touching and being sprayed by snake venom.

b. Her being bitten is actually one of the 1st times, in a film, that we see one woman being bitten by another woman.

c. Why does she run to where she does? She runs away from Erny, then she runs back toward Erny, and then she runs into a place, where she can be trapped by Erny.

James (Hugh Grant)
a. How proverbial English? Note that he has a dart board in his home.

To be continued . . .

Well, that is 5 more than I have seen. Though, as I understand you need a strong stomach to watch some of these, especially Salo. You could actually come up with 10 films just by Ken himself. Maybe not all of these are great, but they are about sex in some small part or the other. Including Crimes of Passion, they'd include . . .

01. Women in Love
02. The Music Lovers
03. The Devils
04. Valentino
05. Crimes of Passion
06. Gothic
07. Salome's Last Dance
08. The Lair of the White Worm
09. The Rainbow
10. Whore

The British Film Institute has come up with the a list of Great films about sex, then asked people to name ones they missed.  Number 3 on this is Crimes of Passion.

1 In the Realm of the Senses (1976)
2 Last Tango in Paris (1972)
3 Crimes of Passion (1984)
4 Crash (1996)
5 Conspirators of Pleasure (1996)
6 The War Zone (1999)
7 9 Songs (2004)
8 Shortbus (2006)
9 Turn Me On, Dammit! (2011)
10 Salò, or the 120 Days of Sodom (1975)

Some very good films in the list- Pasolini's Salo, Bertolucci's Last Tango, Oshima's Senses, Cronenberg's Crash as well as Ken's Crimes- a nice international mix.  I've also seen but not been too impressed by 9 Songs, and don't know the others.

The details are here
https://www.bfi.org.uk/news-opinion/news-bfi/lists/10-great-films-about-sex

Le Repaire du Ver Blanc
Minutes 47-60

Sylvia (Amanda Donohoe)
a. Tree
How did she ever manage to climb up into that three with those high heel boots she is wearing?

b. Tanning bed
She lazes around in a coffin like tanning bed, which reinforces her vampire like qualities.

c. Earrings
Don't spare the earrings. This is--at least--the 3rd pair, all different, that she wears in the film, so far.

d. Liquors
On top of the bar at Temple House. Can't get good enough look at them to tell whether they are premium brands or not. Though, even with a better look, probably couldn't tell anyway..

e. Snake basket
She sleeps in a snake basket at night, which reinforces her snake like qualities.

Stone Rigg Cavern
a. Better known as Thor's Cave in real life.

b. Dress warmly
Actually, unless one is shooting a film in it, having been there several times, while it is chilly, it is not as cold as depicted in the film.

c. Graffiti
Of course, that was added for the film, then removed once the shooting for that scene in the film was over. So if one goes today, one won't find it.

d. View
The film just touches on what a tremendous view there is from the entrance of the cavern or cave. One can seemingly see for miles. And as the entrance is hard to reach and thus is easily defensible. No wonder it has been inhabited for thousands of years.

Peters (Stratford Johns)
a. Note James' (Hugh Grant's) reaction to Peters. Grant's reaction is such to Johns' over the top performance as Peters, one has to wonder whether it was unplanned for in the script and just a serendipity moment caught on film.

Mercy Farm
a. Painting
The painting in the dining area of Mercy Farm. Apparently, a pastoral scene. Thus, symbolic of something else, like so much of the art in the film, or non-symbolic.

To be continued. . .