Richard Wagner's Auferstehung (3:06)
What one notices about this clip, where lightning strikes Wagner's tomb, and he rises as a Frankenstein-like Monster wielding a guitar firing bullets, is Ken's propensity to repeat himself in his film. Like his "Mahler" of the previous year, that being made in 1974, and this being made in 1975, both films deal with the subject of anti-Semitics.
Though, (IMHO) Mahler is the better of the 2 films for a couple of reasons.
1st. The focus is on the Jewish Mahler, while this film is focused on the non-Jewish Wagner and Liszt. And . . .
2nd. Of Robert Powell, Roger Daltrey, and Paul Nicholas, Robert Powell is the better actor.
One thing I did notice, that I cannot ever remember seeing in one of Ken's film, is the voodoo doll and its use.
Of course, none of this explains Ken's interest, as a non-Semitic, in anti-Semitics. He, seemingly, doing more films on the subject than many directors, even many Jewish directors.
Next time: Lisztomania - superior race